Well haven’t you heard? The Crafts Council’s Hey Clay! Events are happening all over the country 8-9 April!

If you’re inspired by the Great Pottery Throw Down or just want to get your hands dirty or try something new, then why not see what’s happening near you! A lot of events are free and loads are family friendly!

I’ve submitted a request to attend two workshops, one involving enamel painting on bisque and one slip casting porcelain. Hello!? When else would I get to try something like these??

I can’t wait! Hopefully I booked early enough to get a place. Feeling huge pottery love right now.

PS xx

Godshill Pottery

This past weekend Beloved, Little One and I took a break from the Big Smoke and headed to the New Forest for the weekend. It was great to get out of the city, spend some time together and some time in the great outdoors! We stayed in a little lodge in between Fordingbridge and Godshill. On Sunday afternoon we were out walking and came across Godshill Pottery – a pottery!! What luck! (Cue rolled eyes from beloved).

Godshill Pottery is home to Chris and Kate Charmin. They open their gallery up Monday to Saturday and have been making pots since the 1960s! We met Kate and chatted about her husbands pots, mostly earthenware these days, and of course The Great Pottery Throw Down! I couldn’t leave without buying a beautiful green and red mug.

It was really great to see a well established pottery and the range of work both Kate and Chris produce. If you find yourselves in the New Forest I’d highly recommend it!

PS xx


Amaco Glazes

SB got a whole new bunch of Amaco Glazes around Christmas time – Potter’s Choice cone 5/6, which alone in 2-3 coats give lovely vibrant colours, but also layers and striped, create some really beautiful effects! Having worked on my pieces at home recently, and therefore used my own Mayco/Botz glazes, I’m only just getting back pieces I made with SB and the Amaco glazes.

I wanted to share with you some of the pieces I’ve gotten back over the last two weeks – which if you follow me on instagram you’ll have seen already, because I love them. I LOVE THEM. Seeing these colours puts the biggest grin on my face. You’ll also see my lovely wave roller from Scarva which is my new favourite tool! £10 is a lot to spend on a small roller, but the depth and clarity of design are much, much clearer than the sugar rollers I have used for my star pieces.

  1. Slab built wave rectangle flower pot
  2. Small round wave trinket box (available to buy from my Etsy shop)
  3. Pink and blue wave mug
  4. Slab bowl with stamp detail design

I’m going to have a play around with colours and textures in the next few weeks and post the results. There is an entire Facebook Group dedicated to these glazes and some of the results are just stunning!

So far they’ve behaved well for me, interacted with each other but not run at the bottom so I’ve had no problem with pieces sticking to kiln shelves or such the like. I’ll have to ask SB what temperature she’s firing at, but so far I’ve been really, really happy with the results!

Is it too early to start a Christmas list?

PS xx

P.S. Throw Down Semi Finals Tonight!!


Devastated Nam went last week. His Russian Dolls weren’t up to scratch, so it was the right call, but he was by far my favourite. I loved his creativity, his designs had clarity and were really playful in different, dyNAMic ways, he seemed like a really genuine and compassionate human being. Let’s see who survives the Great Toilet Challenge and what Johnny Vegas gets up too this week!

Update & Etsy site

Hello friends,

It’s been a flurry of pottery related lovely things these past few weeks! I must have watched every episode of The Great Pottery Throw Down at least four times, SB’s studio is back up and running one evening a week and there has been lots of buzz on social media about pottery with the new Turning Earth facility open, KBJ attending lots of events in London and the new Clay Craft magazine on the shelves!

A veritable schmorges board of pottery related paraphernalia for enthusiasts new and old.

I’ve also been busy making, throwing & glazing! So much so that our little home has pots and vases and cups and plates and trinket boxes stacked up on every shelf & flat surface. Normally I give things away to friends and relatives but increasingly people are asking to buy them – which is very flattering! But knowing that I only started making pottery about two years ago and considering myself very much a hobbyist (AND seeing all the weaknesses of a pot rather than the strengths); I have always said no. I thought I would feel embarrassed selling my work because I know I have not yet mastered the skills to produce something of true quality. I love making and I am proud of what I make, but I have enough self awareness to acknowledge my strengths and weaknesses.

Having said all that! Space is a premium for a home potter and an increasing appetite for glazes and tools comes at a cost. Therefore I have taken the plunge and set up an Etsy page. To tackle my insecurities, I have created a cheap, generic price structure (small items £5, medium £10 and large £15) and outlined what I think are the strengths and weaknesses of each item in the descriptions.

The idea is to clear space and put any money towards covering costs of clay, glaze & firing.

At the moment items are listed with 2nd class UK postage only (as I am familiar with this price and who doesn’t love cheap postage) but if anyone outside of the UK wants something then we can look into alternative postage options.

So I guess a link to my page would be useful, right? Well here it is

PStratford Ceramics

I’ll add items as I go and adjust pricing when appropriate but hopefully you might see something you like and a little something that I made finds a home!

I can’t believe it. I’ve set up an Etsy page!


Ceramic Review vs Clay Craft

Look what the postman delivered this week!


There is a new clay loving magazine on the shelves this month – Clay Craft!

Whilst the shelves have been dominated by Ceramic Review for years now, there is a fresh face on the block, riding the wave of The Great Pottery Thrown Down, Etsy and all things crafty.

But how do they compare as publications? Where should you be spending your hard earned money? They’re both about clay, so what’s the difference?

Yes the focus of the two publications is clay and ceramics, but I would say strictly speaking, the two publications aren’t necessarily addressing the same audience. Ceramic Review is a high quality, bi-monthly international publication mainly focusing on the work of experienced and innovative potters around the world and sharing stories and events (retailing at £9.90 per issue). Clay Craft is monthly publication, more ‘magazine’ than ‘review’, aimed at everyone from beginners to professionals. The first edition is full of project ideas, a glossary of terms, a review of aprons, short articles with lots of images a directory of events (retailing at £4.99 per issue). I managed to register early and get my first copy for free due to a promotion! The first issue also came with a free kidney tool worth apparently £3 (I wouldn’t have paid £3 for it but it was certainly a pleasant surprise when it fell out of the packaging!).

I’ve been receiving Ceramic Review for almost a year now and the quality of the publication and the writing is evident from the thickness of the page, clarity of colour and style of image as well as the artists interviewed. It really is a joy to hold and read. Every issue has a ‘how to’ section where an artist will demonstrate the steps in a process and the international theme is present throughout the content and events covered. I believe it’s very clear that Ceramic Review targets artists and art lovers alike. What it is not, is an introduction to ceramics as a hobby.

Clay Craft however is much more orientated towards the hobbyist. Although the magazine says it appeals to all abilities – I can’t really see an established ceramic artist gaining much from the content in terms of the level pitched in the first issue – how to make a pinch pot. Now this isn’t a bad thing and perhaps future issues will be different. In fact, when I was first becoming interested in clay and ceramics, this is exactly the kind of magazine I was looking for! I needed (and often still do) a step by step process and terminology explained. I still find myself googling questions well into the night when I can’t figure out what I am supposed to do, e.g. how long to fire a kiln for and how is this different for bisque and glaze firings. Or what are the differences between a quick firing as compared to a long slow firing…?

I can’t imagine Ceramic Review really addressing these questions because the answer is probably obvious or has too many variables, but this is certainly a topic I can imagine might be covered (hopefully!) in Clay Craft.

So is one publication for the ‘Artists’ and one for the ‘Hobbyist’? Well, no. Ceramics Review offers an insight into the art of ceramics and is a visual feast. The inspiration offered by Ceramic Review is not for professionals only and I know I love reading it and my work has certainly benefited from reading it. On the other hand I can imagine a professional ceramicist using Clay Craft to get people/students interested in clay through quick projects or for going back to basics and trying a different technique.

Clay Craft feels cheaper to the touch with a glossy cover and lighter pages than Ceramic Review, but it is jam packed with imagery and full of offers, which is always great for those of us that like a bargain! Which I do. Very much. And at £4.99 per issue, you get two issues for the price of one Ceramic Review. Although it should be noted both publications have offers on for subscriptions at the moment! (Perhaps a nice Valentines gift idea for someone? *ahem*)

I think there is certainly the space in the market for both publications as they bring very different things to the pottery table. Ceramic Review has a solid base and large following, whereas Clay Craft need to establish a readership for which I think a lot will depend on their ability to come up with imaginative and easy to follow projects. However in doing that, they may neglect the intermediate/advanced potter (although freebies may keep people buying, if not reading). As with all things pottery related – time will tell!

I however, look forward to reading both!

PS xx

The Great Pottery Throw Down Series 2


(The original GPTD line up!)

I owe the Great Pottery Throw Down a lot. If it wasn’t for the 2015 series, I would never have returned to clay as a medium for art and expression. And those of you who follow this blog or my instagram will know that I am a HUGE Kate Malone fan! I went to her Waddesdon Manor Exhibition and her open studio recently and have my very own KM pumpkin. It is genuinely one of my dearest things. And you can’t think of GPTD without Keith – it’s hard not to love that guy. Beloved uses the KBJ espresso cups I bought him last year almost daily and I’m hoping to see him throw in John Lewis on Oxford Street this week! (Now I just need to think of a good question or something intelligent to say…). And, despite him not being in the above photo – Rich Miller is an essential part of the programme, and an overall really warm and genuine guy! His cup is sat next to me at this moment, beautifully made and skillfully decorated. Finally, Sarah Cox expertly balances gentle encouragement and humour – it’d be a very different show without her!

The contestants were from all different backgrounds on the first series and all has very different strengths and levels of ability. It was great to see people learn and challenge themselves as the episodes passed but overall the sense of warmth and friendship between them all really came across, and the genuine competitiveness between the final contestants was great! They all wanted to win by doing their best and producing something wonderful.

The wait was on for series 2 of GPTD expected in 2016 but we were left hanging on tender hooks until 2nd Feb 2017. I don’t watch much TV but I hadn’t seen a single advert for the show before it started so perhaps I missed them, but it made me sad that the BBC wasn’t advertising this brilliant show more – friends hadn’t heard of it at all! A real opportunity missed. Regardless, the show started and now every Thursday I have a new installment of wonderfulness to watch on TV and repeat throughout the week on iPlayer – oooooeeee!


(GPTD 2017 contestants)

Now. As a home potter, I have loved the warmth and sense of community that potting events and going to a studio brings. In my mind, amateur potters are working away all over the country making for the love of making.

However, maybe I’m missing something, because it strikes me that most of these potters have their own studio spaces and sell their work in volume. Am I wrong to think this blurs the line of amateur? I don’t know. I guess last year I was frustrated that the winner was a ceramics teacher – I wouldn’t have called him amateur at all because he was basically born in a ceramics studio and taught ceramics for his profession. After doing a little search on Instagram for the different contestants of 2017 this week I came across most of them and realised they virtually all were in the ceramics business in terms of mass producing and selling their wares. I guess the solidarity I felt with the people on the first season has been lost a little or perhaps it was misplaced as they were of a similar potting calibre? Cut from the same wedge? Were most of the 2015 contestants also selling en masse before they appeared on the show?

But please,don’t get me wrong – I’d love to sell my ceramics! I’d also love to be on the show. But I know my work is no where near the quality good enough to sell and I don’t have the time to mass produce. I guess I just made the assumption that an amateur potter was someone working with clay as a hobby as I do and occasionally selling at a local event rather than someone who owned a fully equipped ceramics studio and taught day to day or sold in large volumes – to me that is a professional.

The bakers on the Great British Bake Off didn’t work in bakeries and cake shops – or did they? Actually, I remembe one was a Home Economics teacher… Am I now questioning all I thought I knew? Ok, let’s not go that far.

Perhaps I’m just jealous they’re all immeasurably better at throwing than me!

Whatever the case, it’s great to have it back on the telly and I’ve even got Beloved watching it with me this time, voluntarily!! It’s great to see the different challenges and this has been giving me inspiration for my own work! Like the bubble glazing – it looked so cool and was actually relatively easy to do! I’m excited to see the different projects and learn from the show. It’s great to see the show making more of Rich’s role as well, giving his opinion and explanations for the technical side of what is happening with the clay – or might happen!

It takes a little while to get to know the contestants and I’ll save my personal opinions as to the individuals and my favourites!! They do seem a little more ‘cherry picked’ than the first series, but perhaps that’s not a bad thing. And I don’t want to let anyone know any details if they haven’t watched it yet, no spoilers alert! So I’ll end it here.

All I can say is that I know the series will end too soon

PS xx

Botz Glaze Review

Bots glazes! Thick brush on glaze that can give a punchy colour, but that can also be sensitive and shift around or not come out as expected. Botz were the first glazes I used because these were the glazes SB had in her studio and they are affordable at around £5-13 depending on the supplier and size of pot.

I began by buying ‘Black Blue Speckle’ and ‘Ice Crystal’. However I used them on two pieces that had quite a lot of detail and these were ultimately swamped I felt and the overall effect did not bring out the detail in a way I had hoped. The Black Blue colour had been as expected but the Ice Crystal had given a more sandy, beige effect rather than the white/blue speckle I had been hoping for. These items were made at home and fired at SB’s studio.

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When I fired the Ice Crystal at home however, it gave a dramatically different effect! This is exactly the same glaze as the top white pot, but fired by myself to cone 9 (1260 oC).


I used the Black Blue again on a coffee jar with a white from SB’s studio and this was much more successful I felt.


With my confidence restored a little, I decided to buy a couple more Botz glazes from Bath Potters as they were offering 10% off for first time customers. So, I decided to buy a Basalt Grey and a satin matt white called Creme. I didn’t have time to do testers and so used the glazes on some thrown pieces I did recently, and a couple of left over stars from Christmas to be used as testers.


Overall I was reasonably happy with out the pieces came out, however the Basalt Grey was really more brown. I was surprised as I painted it on quite thickly for two coats. I didn’t think I would be able to get a third coat on without it pulling away, however perhaps that’s just what it needed to reach that deep stoney grey colour.

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Overall I find the Botz glazes to give good coverage and depth of colour (holding judgement on Basalt Grey), however they are far less predictable than say the Mayco and you use up much more glaze per coat than the thinner applying Mayco. For example air bubbles appeared in the white and in one area it completely shifted away from the ceramic underneath – there must have been grease or something on the clay, as I’ve no idea why this would have happened. The white also showed brush strokes in some areas, which I found with the Ice Crystal and grey as well, wheres this was not the case with the Black Blue. I had hoped the colours would interact between the gray/blue and white more, but this didn’t really happen.

Overall I like Botz glazes, however I think to get the desired effect I need to spend more time with testers and experimenting with firing at different temperatures. I would definitely buy them again but they are less versatile in terms of mixing and layering. (Perhaps they aren’t, if you have a different experience please let me know!). They also obscure surface texture quite a lot due to the thick layering required, but the colours can be striking and have a depth and quality to them that I really love.