Second glazing

Following on from my single firing post – where the glazed greenware came out in one piece, but the glaze hadn’t been quite as dynamic as I had hoped… I re-glazed everything and fired again!

In order for the glaze to take well I heated the mugs/bowls etc using a hair dryer and added thin layers of extra glaze, two extra coats in total. I also added an extra stripe of green or blue as the best interaction was between the indigo float and seaweed.

I don’t think the toasted sage Amaco Potters Choice glaze is a great one for encouraging movement and interaction between the two glazes, in the same way the tenmoku glaze is, but nonetheless I am much happier with the results so I thought I’d share a couple of before and after photos!

Here is an example of the mug, with an added stripe of blue:

And this is the bowl!

I like the green seaweed and the indigo float, but I want to find a better base for the two of them. The range seems to focus on darker under coats, which wasn’t what I was after. The only other lighter colour seems to be oatmeal which is quite yellow-y from the picture.

Actually the toasted sage comes out quite grey as the photos show, which in of itself is a lovely tone but wasn’t as light as I’d hoped it to be. But at least now I know I have a nice grey glaze – so every cloud has a silver (toasted sage!) lining!

A couple more things using this glaze combination and tenmoku in my etsy shop – check it out!

PS xx

Single firing

First of all, to clear up an issue from the previous post. I soaked my flaky kiln shelf and used a steel wire scrubber to remove the flaky batt wash and it worked like a dream! I thinned my batt wash with water to the consistency of skimmed milk and reapplied a thin layer and left it to dry. My kiln shelves look as good as new!

And now to single firing. I had used this technique when I made a birdbath as I was tight on time. The Mayco glazes are pretty steady with no movement at all. They also give a pretty good colour and coverage with just two thin coats. I glazed greenware and single fired the birdbath and it came out great. However I didn’t know how this technique would work with Amaco glazes.

I did a lot of throwing last weekend knowing that I wanted to use my Amaco glazes. However when I looked at my pyrometric bars, I saw I only had one or two bisque temp bars left! My little Olympic Kiln is old skool with a manual ramp dial and kiln sitter. So with precious bisque bars in short supply I thought about single firing my thrown mugs and bowls.

Amaco Potter’s Choice glazes mix and move and create beautiful effects but in order to do so, you need to apply 2, 3 even 4 coats depending on the thickness. I let my pieces dry to leather-hard and applied two coats of Toasted Sage then two coats of Indigo Float and two of Seaweed on alternate pieces. With all the glaze on they took a long time to dry but I was patient. I didn’t want to add too much because I didn’t want them running and ruining my lovely new clean kiln shelves.

I managed to pack the kiln with 3 layers and get everything in! And as I was doing a single firing I did a really slow low heat before raising the temp after an hour or two.

I fired to cone 5 and it took longer than expected to get to temperature, but it did get there in the end! I left the kiln to cool and opened up the lid holding my breath..

..Everything was in one piece! fantastic. But the glaze? ..it looked dull and thin. Not like Amaco at all and obviously not the effect I was hoping for!

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The only ones that looked decent were the two pots I used the tenmoku on first. I was hoping the Toasted Sage would be a little lighter than the grey but then again I hadn’t done a test tile and trying to guess colours from the Internet isn’t a good idea.

I admit I was a little disappointed but it’s all part of the learning process! I think overall I was happy that my single firing worked, it was just a lack of experience with Amaco glazes that meant I didn’t add enough layers.

I am confident that should I want to single fire again I could achieve results close to what I wanted.

I spent this morning re-glazing my mugs and bowls for a second firing! At least it won’t need such a long slow ramp as the mugs ceramic now but I still don’t want to rush and risk an exploding kiln! I added more layers of each glaze but also more stripes of Indigo Float and Seaweed. The colours look great when they interact so hopefully this will achieve that effect.

20170805_145347 Once they’re dry I will fire them again, sometime early this week if not tomorrow and post the final results!

I guess I’m must also admit that I’m keen to get single firing experience as it saves a lot on the electricity bill!! And if it produces the effect you want, then why not single fire? My only advice is to make sure your pieces are dry as a bone before firing and then allowing a long slow ramp. I was advised to leave extra clay clean from glaze to allow gas to escape from ghee clay body, but I just left the bottoms clean as usual and this was fine.

Happy potting!

PS xx